"Purcell: Dido and Aeneas, Z. 626, Act 3 Scene 2: "Great minds against themselves conspire" (Chorus)" by Henry Purcell, Emmanuelle Haïm was released on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 3 Scene 2: "Great minds against themselves conspire" (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #33. Purcell: Dido and Aeneas, Z. 626, Act 3 Scene 2: "Great minds against themselves conspire" (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Dido and Aeneas, Z. 626, Act 3 Scene 2: "Great minds against themselves conspire" (Chorus) by Henry Purcell, Emmanuelle Haïm having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
The Fairy Queen, Z. 629: Act V: Trio And Chorus | The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell | B Major | 2 | 1B | 66 BPM | ||
The Indian Queen, Z. 630, Act III: I Attempt from Love’s Sickness to Fly in Vain / Third Act Tune - Rondeau | Henry Purcell, The Sixteen, Harry Christophers, Julie Cooper | A♭ Major | 0 | 4B | 85 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: IV. Giga | Jean-François Dandrieu, Le Consort, Justin Taylor | F♯ Minor | 5 | 11A | 139 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM |