Johann Sebastian Bach, Yayoi Toda made "無伴奏ヴァイオリン・パルティータ第3番 ホ長調 BWV 1006: III. Gavotte en rondeau" available on April 22, 2022. The duration of 無伴奏ヴァイオリン・パルティータ第3番 ホ長調 BWV 1006: III. Gavotte en rondeau is about 3 minutes long, at 3:10. Based on our data, "無伴奏ヴァイオリン・パルティータ第3番 ホ長調 BWV 1006: III. Gavotte en rondeau" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Yayoi Toda's "J.S.バッハ: 無伴奏ヴァイオリン・ソナタ&パルティータ(全曲)" album is number 12 out of 31. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 無伴奏ヴァイオリン・パルティータ第3番 ホ長調 BWV 1006: III. Gavotte en rondeau is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 無伴奏ヴァイオリン・パルティータ第3番 ホ長調 BWV 1006: III. Gavotte en rondeau by Johann Sebastian Bach, Yayoi Toda to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 171 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM |