"Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto" by Ludwig van Beethoven, Paul Lewis was released on September 25, 2007. With this song being about 5 minutes long, at 5:15, "Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto" by Ludwig van Beethoven, Paul Lewis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 32 in Beethoven: Piano Sonatas, Vol.3 by Ludwig van Beethoven, Paul Lewis. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto is currently fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto by Ludwig van Beethoven, Paul Lewis is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Khatia Buniatishvili | D♭ Major | 0 | 3B | 71 BPM | ||
So This Is Love | Emile Pandolfi | G Major | 2 | 9B | 164 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
The Flower Garden | Joe Hisaishi | C Minor | 2 | 5A | 67 BPM | ||
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM |