Oslo Philharmonic Orchestra, Mariss Jansons's '1812 Overture, Op.49 (conclusion)' came out on February 1, 2011. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Drivetime Classics, so we believe that "1812 Overture, Op.49 (conclusion)" is a single. In terms of popularity, 1812 Overture, Op.49 (conclusion) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 1812 Overture, Op.49 (conclusion) by Oslo Philharmonic Orchestra, Mariss Jansons is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Variation VII. Der Ritt durch die Luft | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Minor | 3 | 7A | 86 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad’s Ship | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | E Major | 0 | 12B | 169 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): IV. The Conversations of Beauty and the Beast (Les entretiens de la belle et de la bete) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | D♭ Minor | 0 | 12A | 91 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | G Minor | 2 | 6A | 117 BPM | ||
La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 89 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Scheherazade, Op. 35: IV. Festival at Baghdad – The Sea – The Shipwreck | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | C Major | 2 | 8B | 91 BPM |