"Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. Since Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #13. The popularity of Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a テンポ of 179 with a half-time of 90 テンポ and a double-time of 358 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Violoncello And Strings: II. (Longing) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Marko Ylönen, Arto Satukangas | B♭ Major | 0 | 6B | 86 BPM | ||
Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
Cello Concerto No.1 in A minor, Op.33: 1. Allegro non troppo | Camille Saint-Saëns, Matt Haimovitz, Chicago Symphony Orchestra, James Levine | F Major | 2 | 7B | 97 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova | Jean-Philippe Rameau, Marina Baranova | A♭ Major | 1 | 4B | 83 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Sarabande | Matt Haimovitz | A♭ Major | 1 | 4B | 75 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Cello Sonata in C Major, Op. 102 No. 4: Ia. Allegro vivace | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | A Minor | 2 | 8A | 75 BPM |