"Saeterjentens Sondag, "The Herd-girls' Sunday": The Herd-Girl's Sunday" by Ole Bull, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset was released on November 29, 1999. The duration of Saeterjentens Sondag, "The Herd-girls' Sunday": The Herd-Girl's Sunday is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Saeterjentens Sondag, "The Herd-girls' Sunday": The Herd-Girl's Sunday's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Norwegian Violin Favourites". In this album, this song's track order is #1. In terms of popularity, Saeterjentens Sondag, "The Herd-girls' Sunday": The Herd-Girl's Sunday is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saeterjentens Sondag, "The Herd-girls' Sunday": The Herd-Girl's Sunday by Ole Bull, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio Religioso - A Mothers Prayer | Ole Bull, Arve Tellefsen | G Major | 1 | 9B | 98 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Decameron: III. Scherzo I (Live) | Marcus Paus, Petter Richter, Arctic Philharmonic, Henning Kraggerud | D Major | 1 | 10B | 145 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter | Carl Nielsen, Rune Most, Lovisa Wennesz | C Major | 0 | 8B | 79 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
2 Sentimental Romances, Op. 28: No. 1 in A Major | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 83 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Paulus: I. Teil: Ouvertüre | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Major | 2 | 9B | 116 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM |