"The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter" by Carl Nielsen, Rune Most, Lovisa Wennesz was released on July 10, 2020. The duration of The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Nielsen: The Mother, Op. 41, FS 94". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Denmark. The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter by Carl Nielsen, Rune Most, Lovisa Wennesz having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": III. Allegretto un poco | Carl Nielsen, Sir Colin Davis, London Symphony Orchestra | A♭ Minor | 1 | 1A | 144 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
À Chloris (Transc. for Oboe and Piano) | Reynaldo Hahn, Albrecht Mayer, Kimiko Imani | E Major | 1 | 12B | 66 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia (Un poco largamente) | Robert Schumann, Quatuor Schumann, Gyula Stuller | F♯ Minor | 1 | 11A | 127 BPM | ||
The Sleeping Forest, Op. 28 No. 6 | Hugo Alfvén, Ulf Schneider, Jan Philip Schulze | A Major | 1 | 11B | 87 BPM | ||
Sonata for Cello and Piano in G minor, Op. 19: 3. Andante | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 74 BPM | ||
2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM |