Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse made "Orff: Carmina Burana, Pt. 1, Uf dem Anger: Swaz hie gat umbe" available on 1995. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Swaz hie gat umbe being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 28 in Carmina Burana by Carl Orff. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Orff: Carmina Burana, Pt. 1, Uf dem Anger: Swaz hie gat umbe is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Swaz hie gat umbe by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 3 | 9B | 73 BPM | ||
Messa di Requiem, Dies irae: Lacrymosa | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 60 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Welch Licht leuchtet dort? | Richard Wagner, Helen Watts, Anita Valkki, Grace Hoffman, Wiener Philharmoniker, Sir Georg Solti | B Major | 1 | 1B | 76 BPM | ||
La Sonnambula / Act 1: Viva! Viva Amina! | Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F♯ Minor | 1 | 11A | 116 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IV. Tanz (Dance) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | C Major | 2 | 8B | 145 BPM | ||
"Folle di Gelosia" from Il Tabarro - Voice | Giacomo Puccini, Philharmonia Orchestra, Lorin Maazel | E Major | 0 | 12B | 75 BPM | ||
Turandot: Act II Scene 2: In questa reggia | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
La Bohème / Act 4: "In un coupé?" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 84 BPM |