Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner made "Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace)" available on January 1, 1991. Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace) is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner's "Hummel / Weber: Bassoon Concertos" album is number 7 out of 7. Based on our statistics, Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace) by Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | F Major | 1 | 7B | 123 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Fantasie in E-Flat Major, Op. 18: II. Larghetto e cantabile | Johann Nepomuk Hummel, Madoka Inui | E♭ Major | 1 | 5B | 106 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 115 BPM | ||
50 Variations on a Theme by Diabelli (Vaterländischer Künstlerverein) [Excerpts]: Var. 16 | Johann Nepomuk Hummel, Elena Gaponenko | F Major | 1 | 7B | 169 BPM |