Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra's 'Puccini: La rondine, Act 1: "Forse, come la rondine" (Prunier, Magda, Rambaldo, Ruggero, Bianca)' came out on January 4, 1997. With Puccini: La rondine, Act 1: "Forse, come la rondine" (Prunier, Magda, Rambaldo, Ruggero, Bianca) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 48 in the song's album "Puccini: La Rondine". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Puccini: La rondine, Act 1: "Forse, come la rondine" (Prunier, Magda, Rambaldo, Ruggero, Bianca) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: La rondine, Act 1: "Forse, come la rondine" (Prunier, Magda, Rambaldo, Ruggero, Bianca) by Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | ||
Candide / Act II: 19. The Pilgrims' Procession / Alleluia | Leonard Bernstein, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra | C Major | 2 | 8B | 135 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Verdi: Otello: Atto Primo: Fuoco di gioia! | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 1 | 9A | 127 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Romeo and Juliette, Act I: Eh! bien! que l'avertissement | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Rossini: Il Barbiere di Siviglia, Act 1: "Una voce poco fà" (Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri, John Constable | F Major | 2 | 7B | 133 BPM | ||
Manon Lescaut / Act 1: Discendono, vediam! | Giacomo Puccini, Ramón Vargas, Dwayne Croft, Luciano Pavarotti, Federico Davia, Giuseppe Taddei, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 1 | 10B | 81 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Puccini: Turandot, Act 2: "Guizza al pari di fiamma" (Turandot, Emperor, Crowd, Liù, Calaf, Wise Men) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Giuseppe Nessi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 2 | 2B | 78 BPM |