Michiyo Azusa's '別ればなし' came out on September 25, 1974. The duration of 別ればなし is about 3 minutes long, at 3:17. Based on our data, "別ればなし" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 淋しがりや/別ればなし, so we believe that "別ればなし" is a single. The popularity of 別ればなし is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 別ればなし by Michiyo Azusa is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
六本木ララバイ | Yasuko Naito | G Major | 4 | 9B | 112 BPM | ||
北国の春 | Masao Sen | B♭ Major | 5 | 6B | 88 BPM | ||
私鉄沿線 | Goro Noguchi | F Minor | 6 | 4A | 173 BPM | ||
眼が覚めて | Michiyo Azusa | B♭ Major | 2 | 6B | 107 BPM | ||
海岸通 | Iruka | G Major | 4 | 9B | 75 BPM | ||
エメラルドの伝説 | ザ・テンプターズ | D Minor | 4 | 7A | 124 BPM | ||
恋唄 | Kiyoshi Maekawa | D Major | 6 | 10B | 86 BPM | ||
恋の奴隷 | Chiyo Okumura | D Minor | 5 | 7A | 106 BPM | ||
朝とブラック・タイ | Michiyo Azusa | A Minor | 4 | 8A | 117 BPM | ||
ふたり酒 | 川中美幸 | A♭ Major | 4 | 4B | 82 BPM |