Michiyo Azusa made "朝とブラック・タイ" available on March 1, 1970. The duration of 朝とブラック・タイ is about 3 minutes long, at 3:27. Based on our data, "朝とブラック・タイ" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 朝とブラック・タイ/一年前の街角で, so we believe that "朝とブラック・タイ" is a single. In terms of popularity, 朝とブラック・タイ is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 朝とブラック・タイ by Michiyo Azusa is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
やさしい悪魔 | キャンディーズ | F Minor | 6 | 4A | 142 BPM | ||
木綿のハンカチーフ (アルバムヴァージョン) | Hiromi Ota | A Major | 7 | 11B | 143 BPM | ||
がまん坂 | Saburo Kitajima | C Minor | 6 | 5A | 134 BPM | ||
さよならをするために~アコースティックバージョン~ | Billy Ban Ban | B Minor | 3 | 10A | 102 BPM | ||
しおさいの詩 | Kei Ogura | A Minor | 1 | 8A | 182 BPM | ||
雪國 | Ikuzo Yoshi | B Minor | 5 | 10A | 89 BPM | ||
迷い道 | Machiko Watanabe | C Minor | 6 | 5A | 113 BPM | ||
星降る街角 | 敏いとうとハッピー&ブルー | B Minor | 9 | 10A | 158 BPM | ||
お嫁サンバ (アルバムバージョン) | Hiromi Go | G Minor | 7 | 6A | 124 BPM | ||
月夜と恋と船 | Michiyo Azusa | C Major | 4 | 8B | 91 BPM |