"String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: III. Adagio" by Caspar Da Salo Quartet was released on 1991. String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: III. Adagio is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 19 out of 23. On top of that, United States appears to be the country where this track was created. The popularity of String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: III. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: III. Adagio by Caspar Da Salo Quartet to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux - Arr. piano duet and orchestra: 1. Introduction and Royal March of the Lion | Camille Saint-Saëns, Nicholas Walker, Laura O'Gorman, Philharmonia, Philip Ellis | G Major | 3 | 9B | 108 BPM | ||
El sueño de una noche de verano, Op. 61: No. 1, Obertura | Orquesta Sinfónica De Munich, Henry Adolph | E Major | 3 | 12B | 126 BPM | ||
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM | ||
Mephistos Höllenrufe, Walzer, Op. 101 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 99 BPM | ||
String Quartet, No. 5 in D-Major, op. 64: II. Adagio cantabile | Caspar Da Salo Quartet | A Major | 0 | 11B | 85 BPM | ||
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | F Major | 0 | 7B | 178 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio | Franz Schubert, Riccardo Muti, Wiener Philharmoniker | D Major | 0 | 10B | 98 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Acis and Galatea, HWV 49: Sinfonia | George Frideric Handel, London Early Opera, Bridget Cunningham | A Major | 2 | 11B | 112 BPM | ||
Concerto in D major for Double-bass and Orchestra: 1. Allegro Moderato | Johann Baptist Vanhal, Odon Racz, Franz Liszt Chamber Orchestra | D Major | 1 | 10B | 105 BPM |