"El sueño de una noche de verano, Op. 61: No. 1, Obertura" by Orquesta Sinfónica De Munich, Henry Adolph was released on March 22, 1980. El sueño de una noche de verano, Op. 61: No. 1, Obertura appears to be safe for all ages as it is not explicit. The track order of this song in Orquesta Sinfónica De Munich, Henry Adolph's "Mendelssohn: El sueño de una noche de verano, suite instrumental, Op. 61" album is number 1 out of 5. Based on our statistics, El sueño de una noche de verano, Op. 61: No. 1, Obertura's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El sueño de una noche de verano, Op. 61: No. 1, Obertura by Orquesta Sinfónica De Munich, Henry Adolph to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto para violín y orquesta en re mayor opus 77 - Allegro giocoso, ma non troppo vivace | Orquesta Sinfónica De Munich | D Major | 4 | 10B | 85 BPM | ||
Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile) | Orquesta Sinfónica De Munich, Wilhen Hertz | A Major | 3 | 11B | 94 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Helenen-Quadrille, Op. 14 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | F Major | 2 | 7B | 88 BPM | ||
Concerto In F Minor: Largo | Johann Sebastian Bach, Karen Englund & Societas Musica Chamber Orchestra | A♭ Major | 0 | 4B | 94 BPM | ||
The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | ||
Symphony No. 94 G Major "Mit dem Paukenschlag": I. Adagio - vivace assai | Joseph Haydn, Alberto Lizzio, Musici di San Marco | G Major | 0 | 9B | 149 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: IV. Bourée I | Philharmonia Slavonica, Henry Adolph | B Minor | 2 | 10A | 97 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM |