"Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante" by Wolfgang Amadeus Mozart, Mikhail Pletnev, Deutsche Kammerphilharmonie Bremen was released on January 15, 2003. Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Mikhail Pletnev, Deutsche Kammerphilharmonie Bremen's "Mozart - Piano Concertos" album is number 2 out of 12. In terms of popularity, Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante by Wolfgang Amadeus Mozart, Mikhail Pletnev, Deutsche Kammerphilharmonie Bremen to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
12 Lieder von Franz Schubert, S. 558: No. 2, Auf dem Wasser zu singen | Franz Liszt, Murray Perahia | A♭ Major | 0 | 4B | 86 BPM | ||
Debussy: Arabesque No. 1 | Daniel Pollack | E Major | 1 | 12B | 72 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
24 Preludes, Op.28: 15. in D flat major ("Raindrop") | Frédéric Chopin, Nikita Magaloff | D♭ Major | 0 | 3B | 72 BPM |