Adagio for Strings, Op. 11

Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner
Villa-Lobos: Cantilena From Bachianas Brasileiras No. 5 / Barber: Adagio / Vaughan Williams: Fantasia On Greensleeves etc
7:30 1987年10月1日
テンポ
83
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

Adagio for Strings, Op. 11 - Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner 情報

音響性
88%
ダンサビリティ
9%
エネルギー
3%
手段性
90%
活気
11%
ラウドネス
59%
話し言葉
4%
価数
3%
人気
ラウドネス
-24.866 dB

まとめ

"Adagio for Strings, Op. 11" by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1987. Since Adagio for Strings, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Cantilena From Bachianas Brasileiras No. 5 / Barber: Adagio / Vaughan Williams: Fantasia On Greensleeves etc by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #10 out of 12 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Adagio for Strings, Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Adagio for Strings, Op. 11 テンポ

Since Adagio for Strings, Op. 11 by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Adagio for Strings, Op. 11 being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.

Adagio for Strings, Op. 11 キー

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Fabrizio von Arx, Christian BendaViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Fabrizio von Arx, Christian BendaE♭ Major15B133 BPM
Thaïs / Act 2: Méditation by Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew LittonThaïs / Act 2: MéditationJules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew LittonE Minor19A77 BPM
Vanessa, Op. 32: Act III: Scene 1: Intermezzo by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella Vanessa, Op. 32: Act III: Scene 1: IntermezzoSamuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil RoseD Major010B178 BPM
Canon and Gigue in D Major, P. 37: I. Canon (Arr. Karl Münchinger) by Johann Pachelbel, Stuttgarter Kammerorchester, Karl MünchingerCanon and Gigue in D Major, P. 37: I. Canon (Arr. Karl Münchinger)Johann Pachelbel, Stuttgarter Kammerorchester, Karl MünchingerD Major310B95 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Holberg Suite, opus 40: Prelude (Allegro vivace) by Academy of St. Martin in the FieldsHolberg Suite, opus 40: Prelude (Allegro vivace)Academy of St. Martin in the FieldsG Major19B76 BPM
By The Sleepy Lagoon by Eric Coates, East of England Orchestra, Malcolm NabarroBy The Sleepy LagoonEric Coates, East of England Orchestra, Malcolm NabarroA Minor18A73 BPM
Violin Sonata in F Minor, Op. 5: I. Allegro appassionato by Ignatz Waghalter, Irmina Trynkos, Giorgi LatsabidzeViolin Sonata in F Minor, Op. 5: I. Allegro appassionatoIgnatz Waghalter, Irmina Trynkos, Giorgi LatsabidzeF Minor14A78 BPM
Giselle: Act II: Apparition de Giselle (Apparition of Giselle) by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville MarrinerGiselle: Act II: Apparition de Giselle (Apparition of Giselle)Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville MarrinerB Major01B96 BPM
Medea Suite, Op. 23: III. The Young Princess. Jason by Samuel Barber, Royal Scottish National Orchestra, Marin AlsopMedea Suite, Op. 23: III. The Young Princess. JasonSamuel Barber, Royal Scottish National Orchestra, Marin AlsopD♭ Major03B111 BPM
ISRC
NLA508542810
レコードレーベル
L-M Records/RCA Records