Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old - Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra 情報

音響性: 99%
ダンサビリティ: 22%
エネルギー: 7%
手段性: 1%
活気: 7%
ラウドネス: 63%
話し言葉: 4%
価数: 10%
人気: 11%
ラウドネス: -22.282 dB

まとめ

"Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old" by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra was released on January 1, 1993. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 26 in Britten: Serenade for tenor, horn and strings; Les Illuminations; Nocturne by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra, English Chamber Orchestra. Based on our statistics, Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old テンポ

The tempo marking of Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old キー

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio	Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra	F Major	2	7B	72 BPM
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme	Benjamin Britten, English Chamber Orchestra	F Major	0	7B	84 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	0	4B	94 BPM
Requiem: I. Requiem Aeternam	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	A Minor	0	8A	85 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo	Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner	G Minor	1	6A	134 BPM
Die Meistersinger von Nürnberg, WWV 96: Prelude	Richard Wagner, Wiener Philharmoniker, Sir Georg Solti	C Major	4	8B	99 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	130 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)	George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson	E Major	0	12B	72 BPM
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	182 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records