"Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh" by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch was released on January 14, 2022. With Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 44, Vergiss mein nicht, BWV 505 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VI. Domine, Fili unigenite: (Allegro) | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 113 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Stabat Mater, P. 77: VIII. Fac, ut ardeat cor meum | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Laudate pueri, HWV 237: III. A solis ortu | George Frideric Handel, Carolyn Sampson, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |