"Das Fragment an sich, NWV 35" by Friedrich Nietsche, Jeroen van Veen was released on June 30, 2017. With this song being about 5 minutes long, at 4:51, "Das Fragment an sich, NWV 35" by Friedrich Nietsche, Jeroen van Veen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Nietzsche: Complete Piano Music". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Das Fragment an sich, NWV 35 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Das Fragment an sich, NWV 35 by Friedrich Nietsche, Jeroen van Veen having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Davidsbündlertänze, Op. 6: No. 15, Frisch | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
Lieder ohne Worte VII, Op. 85: I. Andante espressivo, MWV U189 | Felix Mendelssohn, Howard Shelley | C Major | 0 | 8B | 77 BPM | ||
Fire Pianostykker, Op. 9: II. Melodie | Signe Lund, Rune Alver | F♯ Major | 2 | 2B | 80 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
The Lost Chord - Duo-Art 0563 Br | Arthur Sullivan, Peter Phillips, Erno Rapee | G Major | 0 | 9B | 138 BPM | ||
Woodland Sketches, Op. 51: No. 1, To a Wild Rose | Edward MacDowell, Alan Mandel | A Major | 0 | 11B | 68 BPM | ||
Schubert: Impromptu No. 3 in G-Flat Major, D. 899 | Franz Schubert, Aurélien Pontier | A♭ Minor | 5 | 1A | 194 BPM | ||
6 Chants polonais de Frédéric Chopin, S.480: 2. Spring | Franz Liszt, Claudio Arrau | G Minor | 0 | 6A | 72 BPM | ||
Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 | Robert Schumann, Carl Reinecke, Peter Phillips | B♭ Major | 1 | 6B | 103 BPM | ||
Schubert / Arr. Pontier: An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM |