Robert Schumann, Carl Reinecke, Peter Phillips's 'Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168' came out on March 12, 2024. The duration of Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Warum. Heritage Music of Schumann, Dvořák and Tchaikovsky by Carl Reinecke, Robert Schumann, Pyotr Ilyich Tchaikovsky, Antonín Dvořák, Fritz Kreisler. The song's track number on the album is #4 out of 20 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 by Robert Schumann, Carl Reinecke, Peter Phillips has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces, Op. 2: No. 1, Etude in C-Sharp Minor - Duo-Art 7325 | Alexander Scriabin, Peter Phillips, Isabelle Yalkowsky | E♭ Major | 2 | 5B | 71 BPM | ||
Etude, Op. 8, No. 12 in D-Sharp Minor (Pathetique) - Duo-Art 6623 | Alexander Scriabin, Alfred Cortot, Peter Phillips | D♭ Major | 0 | 3B | 110 BPM | ||
3 Mozart Transformations, After Poulenc: I. Minuet, K. 1 | Stephen Hough | A Minor | 0 | 8A | 66 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM | ||
Infinite Power | Stanley Roth, Vincent & A Secret, Lucy Atkinsons | A♭ Major | 0 | 4B | 78 BPM | ||
Fantasia D. 940 in F Minor (4-Hands) - Welte-Mignon 891 | Franz Schubert, Peter Phillips, Hans Hermanns, Marie Hermanns-Stibbe | E♭ Major | 1 | 5B | 80 BPM | ||
Melodie | Alessandra Ammara, Robert Schumann, N/A | C Major | 0 | 8B | 68 BPM | ||
Cancons de muntanya (Mountain songs): IV. Canco de l'adeu | Manuel Blancafort, Miquel Villalba | F Minor | 0 | 4A | 72 BPM | ||
6 Preludes: No. 3 | Paul Bowles, Lara Downes | F Minor | 0 | 4A | 113 BPM | ||
Susurros en la Bruma | Velqui | D Minor | 0 | 7A | 100 BPM |