Arthur Grumiaux, Clara Haskil's 'Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso' came out on May 14, 2013. Since Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 43 out of 64 in Arthur Grumiaux: The Art of the Violin by Arthur Grumiaux. Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso by Arthur Grumiaux, Clara Haskil is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | D Major | 1 | 10B | 83 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM | ||
3 Ritornelli, M.S.113: III. Allegro assai in C Major | Niccolò Paganini, Roberto Noferini, Anna Noferini, Andrea Noferini | C Major | 2 | 8B | 162 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 86 BPM | ||
Zigeunerweisen, Op. 20 | Pablo de Sarasate, Arthur Grumiaux, Istvan Hajdu | G Minor | 1 | 6A | 96 BPM | ||
Concerto in D Minor for 2 Oboes, Strings & Continuo, RV 535 - Ed. Hogwood: 2. Largo | Antonio Vivaldi, Celia Nicklin, Neil Black, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 166 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 2. Fuga. Allegro | Johann Sebastian Bach, Arthur Grumiaux | F♯ Minor | 3 | 11A | 107 BPM | ||
Variations on "God Save The King", Op. 9 | Niccolò Paganini, Ruggiero Ricci, Louis Persinger | G Major | 2 | 9B | 94 BPM |