"Rinaldo / Act 1: Aria: Cara sposa" by George Frideric Handel, David Daniels, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. Rinaldo / Act 1: Aria: Cara sposa appears to be safe for all ages as it is not explicit. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 23 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 1: Aria: Cara sposa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo / Act 1: Aria: Cara sposa by George Frideric Handel, David Daniels, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) | Francesco Cavalli, Philippe Jaroussky | F Major | 1 | 7B | 91 BPM | ||
Riccardo primo, HWV 23: Act III - "Morte vieni" | Simone Kermes | E Minor | 1 | 9A | 195 BPM | ||
Gloria in D, R.589: 3. Laudamus te | Antonio Vivaldi, Judith Nelson, Emma Kirkby, Academy of Ancient Music, Simon Preston | F♯ Major | 1 | 2B | 91 BPM | ||
San Giovanni Battista: Queste lagrime e sospiri | Alessandro Stradella, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 99 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Fago: Confitebor tibi Domine: IV. "Sanctum et terribile" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 178 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) | Francesco Cavalli, Philippe Jaroussky | C Minor | 0 | 5A | 113 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM |