"Sonata No. 12 in A: III. Adagio - Largo" by Giovanni Battista Bassani, Ensemble StilModerno was released on December 11, 2012. The duration of Sonata No. 12 in A: III. Adagio - Largo is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Sonata No. 12 in A: III. Adagio - Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 57 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Sonata No. 12 in A: III. Adagio - Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 12 in A: III. Adagio - Largo by Giovanni Battista Bassani, Ensemble StilModerno is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Armonici entusiasmi di Davide, Op. 9, Psalm 126 "Nisi Dominus": Psalm 126, "Nisi Dominus": Sicut erat in principio et nunc et semper | Giovanni Battista Bassani, Alessandro Carmignani, Marcello Vargetto, Fabio Furnari, Andrea Arrivabene, Nova Ars Cantandi, Giovanni Acciai | F♯ Major | 1 | 2B | 94 BPM | ||
Te Deum: I. Te Deum laudamus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Missa Sancti Spiritus, ZWV 4: Sanctus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Sonata No. 8 in G Minor: II. Presto | Giovanni Battista Bassani, Ensemble StilModerno | G Minor | 1 | 6A | 118 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |