Pacho Flores's 'The Heebies Jeebies' came out on December 18, 2020. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alondra de la Parra's "Mixed Tape Compilation #65: The Rite of Joy - Curated by Alondra de la Parra" album is number 13 out of 14. In terms of popularity, The Heebies Jeebies is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The Heebies Jeebies by Pacho Flores to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Suite Iberia (After Albéniz): I. Rondeña | Efrain Oscher, Fábio Brum, Kammerensemble Konsonanz, Pacho Flores | F Major | 2 | 7B | 58 BPM | ||
弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネット | John Rutter, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Saxophone Quartet B Major, Op. 109: I. Allegro | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Variations on The Carnival of Venice | Paul Jeanjean, Ludmila Peterková, Irina Kondratenko | B♭ Major | 1 | 6B | 94 BPM | ||
Liebeslied, Op. 22, No. 2 - Arr. for trumpet & chamber ensemble by Stephan Peiffer | Oskar Böhme, Matthias Höfs, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
El Día Que Me Quieras | Gardel, Le Pera, Pacho Flores, Jesús ‘Pingüino’ González | G Major | 1 | 9B | 84 BPM | ||
Spanish Songs, Op. 100 (Arr. for Cello & Piano by Stanislas Emanuel Kim and Marie Rosa Günter): No. 6, Dream | Dmitri Shostakovich, Marie Rosa Günter, Stanislas Emanuel Kim | C Major | 1 | 8B | 127 BPM | ||
Crónicas Latinoamericanas: III. Influencias | Daniel Freiberg, Pacho Flores, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | D Major | 2 | 10B | 92 BPM |