Gideon Klein, Hawthorne String Quartet's 'String Quartet, Op. 2: II. Vivace ma non troppo' came out on January 1, 1991. The duration of String Quartet, Op. 2: II. Vivace ma non troppo is about 3 minutes long, at 3:12. Based on our data, "String Quartet, Op. 2: II. Vivace ma non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hawthorne String Quartet's "Klein & Ullmann: Chamber Music from Theresienstadt" album is number 9 out of 14. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, String Quartet, Op. 2: II. Vivace ma non troppo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet, Op. 2: II. Vivace ma non troppo by Gideon Klein, Hawthorne String Quartet to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Sechs deutsche Lieder, Opus 72: Nr. 4 Beruhigung (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | A Minor | 2 | 8A | 124 BPM | ||
Oration, Concerto elegiaco, H. 180: II. Allegro | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Indianas: V. Al Tribunal de tu Pecho | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | E Major | 0 | 12B | 119 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": V. Sopran I und II solo: Ich harrete des Herrn / Chor: Wohl dem, der seine Hoffnung setzt auf den Herrn | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Marie Henriette Reinhold, Patrick Grahl, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 3. Phlegmatisch. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | F Minor | 1 | 4A | 135 BPM |