Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's 'Sechs deutsche Lieder, Opus 72: Nr. 4 Beruhigung (Arr. für Stimme und Gitarre von Boris Tesic)' came out on September 8, 2023. The duration of Sechs deutsche Lieder, Opus 72: Nr. 4 Beruhigung (Arr. für Stimme und Gitarre von Boris Tesic) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sechs deutsche Lieder, Opus 72: Nr. 4 Beruhigung (Arr. für Stimme und Gitarre von Boris Tesic)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 16 out of 24. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Sechs deutsche Lieder, Opus 72: Nr. 4 Beruhigung (Arr. für Stimme und Gitarre von Boris Tesic)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sechs deutsche Lieder, Opus 72: Nr. 4 Beruhigung (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: Tempo primo (H) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 90 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Faust, Act II (1852 Version): Ich bin allein, des Abends Nahe regt die Tätigkeit | Louis Spohr, Diane Jennings, Bielefeld Philharmonic Orchestra, Geoffrey Moull | G Minor | 0 | 6A | 83 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |