Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Giorgio Casciarri, Marco Pauluzzo, Paolo Lovera made "Rigoletto: La donna è mobile" available on May 15, 2012. The duration of Rigoletto: La donna è mobile is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Rigoletto: La donna è mobile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #5. Rigoletto: La donna è mobile is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rigoletto: La donna è mobile by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Giorgio Casciarri, Marco Pauluzzo, Paolo Lovera having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesträume, S. 541: No. 3 (Notturno) | Franz Liszt, Gerhard Oppitz | G Major | 0 | 9B | 64 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Reflection | Franco Piersanti, Czech National Symphony Orchestra | A Minor | 1 | 8A | 134 BPM | ||
Giochi Proibiti | Mauro Storti | E Minor | 3 | 9A | 125 BPM | ||
Andrea Chénier: La mamma morta | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone | B Minor | 2 | 10A | 85 BPM | ||
John Williams : Schindlers list - Violin - Piano | Magnus Ericsson,violin Hans-Olov Mellqvist,piano | D Minor | 1 | 7A | 89 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] | Vincenzo Bellini, Maria Callas, Chœur du Théâtre national de l'Opéra de Paris, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 3 | 7B | 165 BPM |