"Andrea Chénier: La mamma morta" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone was released on May 15, 2012. Andrea Chénier: La mamma morta is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #33. Andrea Chénier: La mamma morta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andrea Chénier: La mamma morta by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Roméo et Juliette, Op. 64, Acte I : Danse des chevaliers. | New York Philharmonic | C Major | 3 | 8B | 106 BPM | ||
Exeter Polka, Op. 294 | Johann Strauss I, Wiener Biedermeier Solisten | D Major | 2 | 10B | 108 BPM | ||
Emperor Waltz | Johann Baptist Strauss II, Westminster Concert Orchestra | C Major | 2 | 8B | 171 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Verdi: Nabucco, Act 3: "Va, pensiero, sull'ali dorate" (Coro) | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 73 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Orchestre Philharmonique de Radio France, Paavo Järvi, State Academic Mariinsky Theatre Choir | A Minor | 2 | 8A | 94 BPM | ||
Le grand cahier: V. La servante et l'ordonnance | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | A Major | 1 | 11B | 95 BPM | ||
Tosca: "E lucevan le stelle" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | B Minor | 2 | 10A | 87 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM |