Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz made "Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 1. Vivace" available on January 1, 2008. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 12 in Bach, J.S.: Violin Concertos by Johann Sebastian Bach, Arthur Grumiaux, New Philharmonia Orchestra, Edo de Waart. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 1. Vivace is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 1. Vivace by Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto for 3 Violins, Strings & B.C. In D Major, BWV 1064: II. Adagio | Johann Sebastian Bach, Amsterdam Bach Soloists, Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock | B Minor | 3 | 10A | 94 BPM | ||
Ballade No. 4 in F Minor, Op. 52 | Frédéric Chopin, Khatia Buniatishvili | D♭ Major | 1 | 3B | 51 BPM | ||
I. Was willst du dich betrüben (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
Prelude in G Minor, Op. 23, No. 5 | Sergei Rachmaninoff | G Minor | 1 | 6A | 98 BPM |