Suddeutsche Philharmonic, Alberto Lizzio's 'Carnival of the Animals, The Aviary' came out on 1996. With Carnival of the Animals, The Aviary being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Best of Saint-Saens". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Italy. In terms of popularity, Carnival of the Animals, The Aviary is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, The Aviary by Suddeutsche Philharmonic, Alberto Lizzio having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
Suite de trois morceaux, Op. 116 (Arr. for Flute & String Sextet): III. Valse | Benjamin Godard, Nathanael Carré, Ensemble Nuanz | G Major | 0 | 9B | 179 BPM | ||
Growing Up Is Hard to Do | Andrea Datzman | C Major | 3 | 8B | 120 BPM | ||
Peter und der Wolf, Op. 67: II. Eines Morgens öffnete Peter das Gartentor | Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra | G Major | 0 | 9B | 83 BPM | ||
The Seasons, Op. 37a, TH 135: No. 10, October (Autumn Song) | Pyotr Ilyich Tchaikovsky, John O'Conor | D Minor | 0 | 7A | 68 BPM | ||
3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
Ibert: Flute Concerto: II. Andante | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 54 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 2 Wanderlied | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 91 BPM |