Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra's 'Peter und der Wolf, Op. 67: II. Eines Morgens öffnete Peter das Gartentor' came out on November 15, 2019. With Peter und der Wolf, Op. 67: II. Eines Morgens öffnete Peter das Gartentor being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Saint-Saëns: Karneval der Tiere & Prokofiev: Peter und der Wolf". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Germany. Peter und der Wolf, Op. 67: II. Eines Morgens öffnete Peter das Gartentor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peter und der Wolf, Op. 67: II. Eines Morgens öffnete Peter das Gartentor by Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter And The Wolf, Op.67 - Narration In German: Der Vogel: "Auf einmal bemerkte Peter etwas, er sah, wi e die..." | Sergei Prokofiev, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B Minor | 0 | 10A | 102 BPM | ||
交響曲第3番ヘ長調作品90 第2楽章:アンダンテ | ベルリン フィルハーモニー管弦楽団 | C Major | 1 | 8B | 76 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mässig | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | ||
Horn Concerto No. 1 in E-Flat Major, Op. 11, TrV 117: I. Allegro | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | E♭ Major | 0 | 5B | 130 BPM | ||
Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
"Das Butterbrot" C major. Tempo di Valse | Wolfgang Amadeus Mozart, Michael Krücker | C Major | 0 | 8B | 80 BPM | ||
Sylvia: Act III: Apparition d'Endymion (Apotheose) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E Major | 1 | 12B | 66 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM |