"100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 48: Eit gamalt sel fortel (Tale from the Old Mountain Hut)" by Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset was released on September 5, 2001. The duration of 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 48: Eit gamalt sel fortel (Tale from the Old Mountain Hut) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 48: Eit gamalt sel fortel (Tale from the Old Mountain Hut)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tveitt: 100 Hardanger Tunes - Suites Nos. 1 and 4". In this album, this song's track order is #18. 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 48: Eit gamalt sel fortel (Tale from the Old Mountain Hut) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 100 Folk-tunes from Hardanger, Op. 151: Suite No. 4, "Wedding Suite": No. 48: Eit gamalt sel fortel (Tale from the Old Mountain Hut) by Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mot Kveld, Op. 42 No. 7 | Agathe Backer Grøndahl, Sølvguttene | D♭ Major | 1 | 3B | 75 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Messiah, HWV 56: Part I: Pifa (Pastoral Symphony) | George Frideric Handel, Richard Westenburg | G Minor | 4 | 6A | 100 BPM | ||
Funeral March II | Patrick Cassidy | E Minor | 1 | 9A | 84 BPM | ||
Velkomne med æra | Geirr Tveitt, Trad., Det Norske Jentekor, Anne Karin Sundal-Ask | F♯ Minor | 0 | 11A | 71 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM |