"Prélude À L'après-midi D'un Faune (Prelude to the Afternoon of a Faun)" by Claude Debussy, Betrand Loic, Orchestre Radio Symphonique was released on January 1, 2009. Prélude À L'après-midi D'un Faune (Prelude to the Afternoon of a Faun) appears to be safe for all ages as it is not explicit. The song is number 1 out of 6 in Debussy: Prelude to the Afternoon of a Faun - Scottish March - Claire de Lune - La Mer by Claude Debussy, Various Artists. Prélude À L'après-midi D'un Faune (Prelude to the Afternoon of a Faun) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude À L'après-midi D'un Faune (Prelude to the Afternoon of a Faun) by Claude Debussy, Betrand Loic, Orchestre Radio Symphonique is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Jimbo's Lullaby | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | E♭ Major | 0 | 5B | 71 BPM | ||
The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 2 | 12A | 105 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |