Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari's 'The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation' came out on August 3, 1990. With The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Stravinsky: Firebird (The) / Petrushka / Suites Nos. 1 and 2". In this album, this song's track order is #3. In terms of popularity, The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation by Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
Symphony No. 1 in D Major "Titan": IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D Minor | 0 | 7A | 77 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
The Rite of Spring, Part 2: I. The Sacrifice | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | F Minor | 0 | 4A | 73 BPM | ||
Der fliegende Hollander (the Flying Dutchman): Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | F Minor | 0 | 4A | 93 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 4. Allegro con brio | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | A♭ Major | 4 | 4B | 82 BPM |