Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio)

Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker
Mozart: Don Giovanni
3:20 1991日
テンポ
177
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) - Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker 情報

音響性
99%
ダンサビリティ
31%
エネルギー
14%
手段性
1%
活気
36%
ラウドネス
64%
話し言葉
9%
価数
9%
人気
ラウドネス
-21.794 dB

まとめ

"Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio)" by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker had its release date on 1991. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Don Giovanni" album is number 5 out of 70. The popularity of Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) テンポ

We consider the tempo marking of Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) キー

The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Il barbiere di Siviglia / Act 1: No.7 Duetto: Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?"Gioachino Rossini, Teresa Berganza, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoG Major29B101 BPM
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux by Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea NosedaFaust, CG 4 / Act III: Chanson du roi de Thule - Air des BijouxCharles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea NosedaE Major212B110 BPM
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano"Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von KarajanA Major111B87 BPM
Così fan tutte, K. 588: Act I Scene 1: Terzetto - E la fede delle femmine (Don Alfonso, Ferrando, Guglielmo) by Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes WildnerCosì fan tutte, K. 588: Act I Scene 1: Terzetto - E la fede delle femmine (Don Alfonso, Ferrando, Guglielmo)Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes WildnerE Major212B96 BPM
L'elisir d'amore / Act 1: L'elisir d'amore / Act 1: "Una parola..chiedi all'aura"Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard BonyngeE♭ Major15B79 BPM
L'elisir d'amore / Act 1: L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta"Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeE Major112B75 BPM
La Cenerentola / Act 1: La Cenerentola / Act 1: "Miei rampolli femminini"Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyC Major38B137 BPM
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio by Jenő Jandó, Wolfgang Amadeus MozartPiano Sonata No. 14 In C Minor, K. 457: II. AdagioJenő Jandó, Wolfgang Amadeus MozartE♭ Major05B123 BPM
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraDon Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta)Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraF Major37B84 BPM
Lohengrin, WWV 75 / Act 3: Lohengrin, WWV 75 / Act 3: "Atmest du nicht mit mir die süßen Düfte?"Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg SoltiC Major28B80 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records