"Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio)" by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker had its release date on 1991. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Don Giovanni" album is number 5 out of 70. The popularity of Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?" | Gioachino Rossini, Teresa Berganza, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 2 | 9B | 101 BPM | ||
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 87 BPM | ||
Così fan tutte, K. 588: Act I Scene 1: Terzetto - E la fede delle femmine (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner | E Major | 2 | 12B | 96 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio | Jenő Jandó, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 123 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
Lohengrin, WWV 75 / Act 3: "Atmest du nicht mit mir die süßen Düfte?" | Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 80 BPM |