Joseph Canteloube, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra made "Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5)" available on October 10, 2011. With Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Storyteller". In this album, this song's track order is #21. Based on our statistics, Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5) by Joseph Canteloube, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra having a テンポ of 148 with a half-time of 74 テンポ and a double-time of 296 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Samson et Dalila: Mon coeur s’ouvre à ta voix | Camille Saint-Saëns, Marie-Nicole Lemieux, Orchestre National De France, Fabien Gabel | A♭ Major | 1 | 4B | 70 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Canteloube : Chants d'Auvergne : Là-haut, sur le rocher | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | A♭ Major | 1 | 4B | 84 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Nulla in Mundo Pax Sincera, RV 630 | Antonio Vivaldi, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E♭ Major | 0 | 5B | 85 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": I. Andante con moto | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 93 BPM | ||
Vier letzte Lieder, TrV 296: 1. Frühling | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | A Major | 3 | 11B | 83 BPM | ||
Canteloube: Chants d'Auvergne, Series 3: No. 14, Lou boussu | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre de l'Association des Concerts Lamoureux | B Minor | 1 | 10A | 93 BPM | ||
The Armed Man - A Mass For Peace: 10. Agnus Dei | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 127 BPM |