"The Book of Imaginary Beings: VII. Sirens" by Robert Parris, Evelyn Garvey, Dorothy Skidmore, Joel Berman, Ronald Barnett, Thomas Jones, William Skidmore had its release date on January 1, 1998. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Parris, Various Artists's "Music of Robert Parris" album is number 14 out of 15. The Book of Imaginary Beings: VII. Sirens is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Book of Imaginary Beings: VII. Sirens by Robert Parris, Evelyn Garvey, Dorothy Skidmore, Joel Berman, Ronald Barnett, Thomas Jones, William Skidmore to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnolia (Aisling) | Miguel Atwood-Ferguson | F Minor | 5 | 4A | 81 BPM | ||
Music for String Instruments, Percussion and Celesta: Adagio | Béla Bartók, SWF Symphony Orchestra, Zoltan Pesko | A♭ Major | 1 | 4B | 62 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | B Minor | 3 | 10A | 111 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
String Quartet No. 4, BB 95: III. Non troppo lento | Béla Bartók, Cavani Quartet | G Major | 0 | 9B | 79 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer | B♭ Major | 1 | 6B | 90 BPM | ||
Course poursuite | Delphine Malaussena | B Minor | 2 | 10A | 85 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM |