"Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 24, 2023. With Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Stravinsky: The Rite of Spring & The Firebird". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Piano Sonata No. 5 in C Major, Op. 38: I. Allegro tranquillo | Sergei Prokofiev, Peter Donohoe | G Major | 1 | 9B | 84 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Violin Concerto, Op. 30: Id. Studio III - Per gli altri intervalli. Lo stesso tempo | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Symphony No. 7 in E Minor: Ig. Maestoso - Allegro come prima | Gustav Mahler, New York Philharmonic, Leonard Bernstein | G Major | 0 | 9B | 127 BPM | ||
Verklärte Nacht, Op. 4: Adagio (Takt 229) | Arnold Schoenberg, Orpheus Chamber Orchestra | C Major | 3 | 8B | 168 BPM | ||
Don Quixote, Op. 35: The Ride Through the Air - Variation VII | Richard Strauss, Fritz Reiner | G Major | 2 | 9B | 88 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM |