"Debussy: Suite bergamasque, CD 82, L. 75: I. Prélude" by Claude Debussy, Walter Gieseking was released on 1953. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 63 out of 74 in Debussy: Piano Works by Claude Debussy, Walter Gieseking. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Debussy: Suite bergamasque, CD 82, L. 75: I. Prélude is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Debussy: Suite bergamasque, CD 82, L. 75: I. Prélude by Claude Debussy, Walter Gieseking is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Morceaux de fantaisie, Op. 3: 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Vladimir Ashkenazy | A Major | 0 | 11B | 85 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
Keyboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai | Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | D Major | 2 | 10B | 84 BPM | ||
Rêverie, L. 68 | Claude Debussy, Werner Haas | D Minor | 0 | 7A | 126 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49, MWV 29: II. Andante con moto tranquillo | Felix Mendelssohn, Van Baerle Trio | C Minor | 4 | 5A | 147 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
Etude in C-Sharp Minor, Op. 2, No. 1: Andante - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 0 | 12A | 60 BPM | ||
Le gladiateur: Scene: O Fulvie !… Adieu… (Fulvie, Narbal, Metellus) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM |