Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber's 'キーboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai' came out on January 1, 1994. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Shostakovich: Concerto For Piano, Trumpet And String Orchestra, Op. 35 / Haydn: Concerto For Piano And Orchestra In D Major, Hob. XVIII:11". In this album, this song's track order is #7. キーboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With キーboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai by Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude and Fugue in E flat minor / D sharp minor (WTK, Book I, No. 8), BWV 853 | Johann Sebastian Bach, András Schiff | E♭ Minor | 1 | 2A | 76 BPM | ||
Études d'exécution transcendante: In F Minor (No. 10) | Franz Liszt, Evgeny Kissin | D♭ Major | 2 | 3B | 88 BPM | ||
Keyboard Concerto No. 13 in F Major, HWV 295, "The Cuckoo and The Nightingale": I. Larghetto | George Frideric Handel, Matthias Kirschnereit, German Chamber Academy Neuss, Lavard Skou Larsen | D Minor | 0 | 7A | 176 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Rachmaninov: Suite No. 2 in C Major, Op. 17: II. Valse. Presto | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch | G Major | 1 | 9B | 83 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: I. Andante con moto, MWV U86 | Felix Mendelssohn, Javier Perianes | E Major | 0 | 12B | 63 BPM | ||
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: I. Prelude (Lento) [Live] | Dmitri Shostakovich, Martha Argerich, Alissa Margulis, Lyda Chen, Mischa Maisky, Renaud Capuçon | F Minor | 3 | 4A | 88 BPM |