Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet's 'Pièces de viole du Second Livre, suite en si mineur: Courante, II. 87 (1701)' came out on September 27, 2011. The duration of Pièces de viole du Second Livre, suite en si mineur: Courante, II. 87 (1701) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Pièces de viole du Second Livre, suite en si mineur: Courante, II. 87 (1701)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 22 out of 83. In terms of popularity, Pièces de viole du Second Livre, suite en si mineur: Courante, II. 87 (1701) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Courante, II. 87 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Toccata di tutti musici | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | D Minor | 2 | 7A | 113 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Che si può fare? | Barbara Strozzi, Simone Kermes, Enrico Casazza | E Minor | 1 | 9A | 112 BPM |