"Requiem: IIf. Rex tremendae" by Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan was released on April 26, 2024. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giuseppe Verdi, Herbert von Karajan, Antonio Vivaldi's "Karajan A-Z: Verdi - Vivaldi" album is number 235 out of 304. On top of that, Germany appears to be the country where this track was created. The popularity of Requiem: IIf. Rex tremendae is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: IIf. Rex tremendae by Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Sei là" - "So ben che difforme" - "Oh! lasciami" | Ruggero Leoncavallo, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 127 BPM | ||
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 66 BPM | ||
Pictures at an Exhibition: Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 67 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 5 | 8B | 94 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 143 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 2 | 3B | 140 BPM | ||
Rigoletto / Act 3: + amabile invero cotal giovinotto (Maddalena, Sparafucile, Gilda) | Giuseppe Verdi, Denyce Graves, Roberto Scandiuzzi, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | E Major | 4 | 12B | 117 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Requiem: IIj. Lacrymosa | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 170 BPM |