Henry Purcell, English Baroque Soloists, John Eliot Gardiner made "The Fairy Queen / Act 5: Chaconne: Dance For Chinese Man And Woman" available on January 1, 1982. The duration of The Fairy Queen / Act 5: Chaconne: Dance For Chinese Man And Woman is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. The Fairy Queen / Act 5: Chaconne: Dance For Chinese Man And Woman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Germany. The Fairy Queen / Act 5: Chaconne: Dance For Chinese Man And Woman is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Fairy Queen / Act 5: Chaconne: Dance For Chinese Man And Woman by Henry Purcell, English Baroque Soloists, John Eliot Gardiner having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance | Henry Purcell, John Mitchinson, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Major | 2 | 9B | 83 BPM | ||
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 80 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1: "Fear no danger to ensue" | Henry Purcell, Norma Burrowes, Felicity Lott, The London Opera Chorus, Aldeburgh Festival Strings, Steuart Bedford | C Major | 2 | 8B | 94 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM |