Henry Purcell, John Mitchinson, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis's 'Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance' came out on January 1, 1962. The duration of Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance by Henry Purcell, John Mitchinson, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Dido and Aeneas / Act 1: "See, your Royal Guest appears" | Henry Purcell, Patricia Clarke, Raimund Herincx, Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | C Major | 3 | 8B | 141 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM |