Steve Reich, Los Angeles Philharmonic, Susanna Mälkki's 'Runner: I. Sixteenths' came out on September 30, 2022. With this song being about 5 minutes long, at 4:30, "Runner: I. Sixteenths" by Steve Reich, Los Angeles Philharmonic, Susanna Mälkki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Steve Reich: Runner / Music for Ensemble and Orchestra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Runner: I. Sixteenths's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Runner: I. Sixteenths by Steve Reich, Los Angeles Philharmonic, Susanna Mälkki having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Ensemble and Orchestra: I. Sixteenths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Japanese Rhapsody: I. Nocturne | Akira Ifukube, Tokyo Metropolitan Symphony Orchestra, Ryusuke Numajiri | B Minor | 1 | 10A | 79 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
La vie rêvée | Yann Tiersen | B Minor | 2 | 10A | 146 BPM | ||
Oakunar Lynntuja (Strange Birds) | Carolina Eyck, American Contemporary Music Ensemble | D Major | 4 | 10B | 99 BPM |