"Ch´ella mi creda libero (La Fanciulla del West)" by Hipolito Lazaro was released on August 29, 2006. The duration of Ch´ella mi creda libero (La Fanciulla del West) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Ch´ella mi creda libero (La Fanciulla del West)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hipolito Lazaro's "Lebendige Vergangenheit - Hipolito Lazaro" album is number 22 out of 22. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Ch´ella mi creda libero (La Fanciulla del West)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ch´ella mi creda libero (La Fanciulla del West) by Hipolito Lazaro to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
Asómate Prenda Mía / Siempre Que Voy a una Boda / Ya Me Canso de Rondar: Jotas de Ronda - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 82 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Ilusión | Luis Mariano | E♭ Major | 5 | 5B | 139 BPM | ||
Il Pirata, Act I: Cielo! è dessa! | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Aleteo Duet Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | C Minor | 3 | 5A | 95 BPM | ||
The Gondoliers / Act 1: 5. Buon' giorno, signorine! | Arthur Sullivan, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Minor | 1 | 6A | 84 BPM | ||
Miserere (salmo 50) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
Le Rezaste a San Antonio / Que Te Guste la Cerveza: Jotas de Picadillo - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | G Major | 3 | 9B | 77 BPM | ||
Luisa Fernanda, Acto ii: Para comprar a un hombre | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | G Major | 3 | 9B | 66 BPM |