Arthur Sullivan, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's 'The Gondoliers / Act 1: 5. Buon' giorno, signorine!' came out on 1977. With The Gondoliers / Act 1: 5. Buon' giorno, signorine! being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Gondoliers" album is number 6 out of 48. On top of that, United Kingdom appears to be the country where this track was created. The Gondoliers / Act 1: 5. Buon' giorno, signorine! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gondoliers / Act 1: 5. Buon' giorno, signorine! by Arthur Sullivan, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM | ||
Ruddigore: Duet: "There grew a little flower" | Ohio Light Opera | D♭ Major | 0 | 3B | 85 BPM | ||
The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM | ||
Paradise Lost? | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 2 | 10B | 78 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Ye people, rend your hearts" - "If with all your hearts" | Felix Mendelssohn, Anthony Rolfe Johnson, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 118 BPM | ||
Sea Pictures, Op. 37: No. 5, The Swimmer | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | E♭ Major | 4 | 5B | 124 BPM | ||
Ich lade gern mir Gäste ein | Johann Strauss II, Angelika Kirchschlager, Alfred Eschwe, Tonkünstler-Orchester | D♭ Major | 1 | 3B | 130 BPM | ||
"Night has spread her pall once more" | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | B♭ Major | 2 | 6B | 77 BPM |