Niccolò Paganini, Roberto Pasquini made "24 Caprices, Op. 1: No. 18 in C Major, Corrente. Allegro - Transcription By Roberto Pasquini" available on February 23, 2024. The duration of 24 Caprices, Op. 1: No. 18 in C Major, Corrente. Allegro - Transcription By Roberto Pasquini is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. 24 Caprices, Op. 1: No. 18 in C Major, Corrente. Allegro - Transcription By Roberto Pasquini's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Nicolò Paganini: 24 Caprices Op. 1 for Unaccompanied Flute (Transcription by Roberto Pasquini)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Italy. 24 Caprices, Op. 1: No. 18 in C Major, Corrente. Allegro - Transcription By Roberto Pasquini is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 24 Caprices, Op. 1: No. 18 in C Major, Corrente. Allegro - Transcription By Roberto Pasquini by Niccolò Paganini, Roberto Pasquini having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Guitar Quartet No. 13 in F Major, MS 40: III. Larghetto, tenuto con anima | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM |