"Petite Symphonie in B flat for 9 Wind Instruments: 1. Adagio et Allegretto" by Charles Gounod, Saint Paul Chamber Orchestra, Christopher Hogwood was released on January 1, 1989. Petite Symphonie in B flat for 9 Wind Instruments: 1. Adagio et Allegretto is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Charles Gounod, Saint Paul Chamber Orchestra, Christopher Hogwood's "Gounod: Symphony No.1; Petite symphonie etc" album is number 5 out of 9. Based on our statistics, Petite Symphonie in B flat for 9 Wind Instruments: 1. Adagio et Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Petite Symphonie in B flat for 9 Wind Instruments: 1. Adagio et Allegretto by Charles Gounod, Saint Paul Chamber Orchestra, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn / Arr. Kreisler: Song without Words, Op. 62 No. 1 (Arr. for Violin and Piano) | Felix Mendelssohn, Vilde Frang | B♭ Major | 1 | 6B | 71 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Khatia Buniatishvili | F Major | 0 | 7B | 77 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Nobody Knows the Trouble I've Seen | Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Cavalleria rusticana: Intermezzo (Arr. Holt) | Pietro Mascagni, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | F Major | 2 | 7B | 180 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 91 BPM |