"Tel jour telle nuit: Une ruine coquille vide" by Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen was released on September 1, 2004. With Tel jour telle nuit: Une ruine coquille vide being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Poulenc : Mélodies - Catalogue classique 2004". In this album, this song's track order is #17. Tel jour telle nuit: Une ruine coquille vide is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tel jour telle nuit: Une ruine coquille vide by Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen having a テンポ of 53 with a half-time of 26 テンポ and a double-time of 106 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Missa Brevis. Benedictus | Jeronimas Kačinskas, Jauna Muzika Choir, Vaclovas Augustinas | D Minor | 2 | 7A | 75 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem | Thomas Tallis, Owain Park, The Gesualdo Six | E♭ Minor | 1 | 2A | 90 BPM | ||
Fauré: Les Djinns, Op. 12 | Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova | A Minor | 0 | 8A | 65 BPM | ||
Armide, LWV 71, Prologue: Suivons notre Héros (La Gloire, La Sagesse) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost | F Major | 1 | 7B | 139 BPM | ||
Evening Songs, Op. 3: No. 4, Když Bůh byl nejvíc rozkochán | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Major | 1 | 12B | 86 BPM | ||
The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | A Major | 0 | 11B | 65 BPM | ||
Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM |